MY OPEN MESSAGE TO AMAL ALLANA, THE PRESENT CHAIRMAN OF NSD : Rudradeep Chakrabarti

The present students ,teachers,staffs and all passouts of NSD including indian theatre fraternity has right to know all present cultural policies of a public national drama school which runs with autonomy system thoroughly. Policy analysis now matters a lot in your hyper partisan political lobby backed system you govern in the name of guiding nsd administration. All has equal rights to analyse and investigate in details the organisations budgeting,personnel matters and cultural policies, within the context let the institution be open to examinations of major policy formations , advocacy and implementation with broad based free public access, for many years the chairman of NSD always remained a silent admirer

 and spectator of evil political party backed and evil bureaucrats backed directors sleaze system of governing with selfish beneficial lobby functioning which created negative infras

tructural norms, these stance of yours always supported the negative corrupt manipulations of directors who did corrupt practices in the name of governing the institution, like recruitment of teachers in non democratic ways, selecting own friends theatre shows in illegal ways in bharat rang mahotsab, sponsoring own group theatre members and making lobby for ghetto, isolated anti public existence in fear of exposition of all malpractices, even damaging the repertory company, Extension proogramme and teaching resources, TIE, NSD infrastructure with muscle powes etc, if you were more strict and concerned about all these matters today the prestigious natioanl institution would not have been in such crisis, now new complexities arrived with director selection with same earlier evil political ways , being puppets of evil powers and selfish own interests. be more strict, open to public, mix with public , artist communities and student communiities , dont be always in isolated glass rooms of yours in the synthetic cocoon of elite pseudo intellectual aristocrats.Only Synthetic Ideas of maharani bagh and greater kailash is not enough to read indian theatre and practice of a national theatre institutute. mix with people,know their views. be more open to accept public reveiws of all your cultural policies in democratic manner for better future of public national school of drama. for the best welfare of all students and indian theatre fraternity, break down the secret walls, let there be light. let the sunshine in. 

Free speech zindabad.

Rudradeep Chakrabarti से संपर्क करने के लिए यहाँ क्लिक करें.

MY OPEN LETTER TO GIRISH KARNAD : Rudradeep Chakrabarti

''टैगोर एक महान कवि थे लेकिन नाटककार दोयम दर्जे के थे.'' गिरीश कर्नाड के इस कथन पर अपनी आपत्ति जाता रहें हैं रुद्रदीप.

A second grade mediocre playwright according to you cannot write plays like Raktakarabi, Dakghar, Bisarjan, Achalayatan etc, it is not surprising then that tagore,s works are indicative of both in digenous as well as foreign influences, which was closely observed by him in his childhood. understanding tagore,s plays therefore requires a basic understanding of the milieu in which he was brought up.Tagore spent lot of time with great theatre practitioners and performers in his own home from child hood,his own brothers girindranath and jyotirindranath were both connoisseurs of european and indian theatre, he was raised with rich theatrical background. tagore was deeply impressed by sir Henry Irving and Sir Ellen terry of london theatre, he was regular visitor in savoy theatre and many theatres during his stays at london.great theatre director of public theatre sisir kumar bhaduri then in bengal was a great admirer of tagores plays and his vision, for your kind reference Badal sarkar himself also directed Raktakarabi. Research more.

Great modern Indian theatre director sambhu mitra is remembered for his directorial creations on tagore plays. still now many young powerful avant garde contemporary theatre directors experimenting with tagore,s plays with lot of innovative ideas, if his plays are trash and ordinary so many senior and young theatre directors now would not have shown interest to direct his plays with experimentations in india and abroad.

It is a pity and tragedy that the there is a financial bussiness fund game with tagore,s name running for many years from government cultural organisations , private org etc etc with short cut ordinary theatre productions in india which didnt showcased his plays with professional creative standard, thats doesnt mean that hhis plays are ordinary and substandard.

characters like bishu pagol in raktakarabi and thakurda of dakghar , etc etc has lot of potential subaltern identities which are not embedded with aristocratic influence as mentioned by you, read carefully with directors mind not academic mind.

i dont wrote this letter as abengali worshipper of tagore, i myself deconstructed his texts in performance a lot, and i accept him as a world dramatist not a bengali public myth tagore.

as a subjective understanding of yours i welcome your take,it s yr right ,its not ever a public view at all right now in india,though i myself dont agree at all to your comments.

MY SECOND OPEN MESSAGE TO SHRI GIRISH KARNAD. 

If tagore was a mediocre dramatist ,then in our indian theatre history Great Indian directors like sisir kumar bhaduri,Sambhu mitra, kumar roy,Badal sarkar, Ratan thyam, Kanhailal , Mk raina , chetan dattar, etc etc would not have explored or done experiments with tagores plays and made succesful Powerful theatre productions in India. Even many world 

theatre directors like Great German Avant garde theatre director Mehring would not have shown interest to direct and explore his plays. now in Indian theatre and in bangladesh and in our subcontinent also many young theatre directors are exploring tagores plays with lot of innovative ideas, they are doing lot of experiments in contemporary theatre with his plays, Earlier great theatre directors of India like sambhu mitra is known for his path breaking direction with tagore plays and widely accepted from indian theatre audience and intellectuals, when we see raja theatre production of Ratan thyam and dakghar of heisnam kanhailal at present indian theatre practice with tagore,s plays we can find out in indian theatre a new language of dram turgy and theatre vision embedded in tagore,s plays. so please do more research on his plays and theatre vision. i always like your bold statements and your subjective comments, but i do not agree personally to this statement of yours, even it is not a over all view of Indian theatre fraternity. please rethink about your perceptions on tagore as a dramatist and put up factual and solid references to analyze his weaknesses and mediocrity. i will definitely look and think if you come up with solid questions and criticisms on tagore plays. so lets discuss and debate other than worshipping tagore as a myth or criticizing him as a mediocre trash playwright, lets discuss more with proper critical appreciation. let us all analyze scientifically.

for Rudradeep Chakrabarti click here.

AN OPEN PUBLIC POST MORTEM OF NSD DIRECTOR ANURADHA KAPUR FOR UNSTABLE SITUATION OF MAKING A STATIC MORGUE NATIONAL INSTITUTE FOR LAST 6 YEARS.- rudradeep.chakrabarti

1. NO connection and resources for public Indian theatre pedagogy and lack of grassroot theatre experience, regional theatre experiences and public theatre of India for always in the cocoon of aristocratic urban Capital elite background and circle.

2.Isolated theatre practice, no connection with complete Indian theatre practice of diversified theatre culture and movement of India.

3.Close door existence and secrecy and aloofnes from public and different artist communities,

4.Arrogant attitude and dictatorship keeping puppet Academic Deans for secret and selfish administrative operations.

5. Practicing Genocide of Best teachers and directors and experts to give training to students and Repertory members due to personal choices and selfish decisions of support to asingle cult of theatre practice..

6.For her non Nsd background unable to understand the real psyche of Indian drama school students and teachers and staff members.

7.Destructive experimentations and policies from arrogant decisions.

8. dependancy on lobby members whom she created on her own and giving them some responsibility which they are not able to perform like extension programme, etc.

9. Complete failure to run a proffesional and public theatre repertory with vision and actions because she herself never did public and professional company theatre other than own group theatre with projects.

10.Teaching dependency to many passout students by corrupting them with events and other isolated practices alienating from field struggles.

11.happy go lucky selection policy of selecting students.

12. A Heavy destruction and confusion to Acting dept for Her own choice of training inputs.

13. For her non experience of practical scenic Design understanding which hampered for her input and guidance to design dept. Direction dept also in confusion with no proffesional inputs.

14.Wrong recruitment of Extension dept chief and policies which made the dept a confused tension dept of india and is wasting money,

15.spending energy on too much festivals and event management these days,

16.Always insecret glassdoor room with her own lobby which made negative identity and alienation from theatre society of NSDas well as India.

17.After seeing al the glitches of earlier nsd directors it was more easy for restructuring but no strict efforts and actions created henceforth for a postive result and system.

18. insecurities to lose chair wasted all her energy , so most of the energy for conspiracy to regain and extend chair using unfair policies,Using same persons and artists of her own lobby made her a negative publiic figure.

19.Dictatorship also blocked free speech. 

20. paranoia of listening criticisms sealed her fate into a unstable situation and compromising situations now. 

Thats all for today, there are more and more glitches to analyse, i think these 20 points enough now from public,s side for her to think again for betterment of her responsibility and functioning and restructuring the national institution and sharing agreat dynamic inspiration and instance to indian theatre bringing back old golden glories of Alkazi. Get well soon, think of with this draft, more drafts are there, first mend this with perfect operations, go ahead, everything can change with bold captaincy and open and big vision. Allthe best from theatre commnity of India.

you can connect with rudra hare.

SAVE NSD RIGHT NOW. Rudradeep Chakrabarti

NSDIANS OCCUPY NSD FOR BRINGING ALKAZI GLORIES. THE FAILURE OF SOME EARLIER DIRECTORS AND PRESENT DIRECTOR NOW HAD SHOWN FACES OF MAFIA CULTURE OTHER THAN GOOD CAPTAINCY, VISION AND POLICIES OR ADMINISTRATION, IT WILL BE MORE BETTER FOR TEACHERS AND PASSOUTS AND STUDENTS COMMUNITY RUN THIS INSTITUTION HENCEFORTH IN A JOINT CO OPERATIVE VENTURE OTHER THAN IDIOT BUREUACRATS AND CORRUPT POLITICAL POWERS PUTTING ANOTHER MEDIOCRE CAPTAIN OR MAFIA TO DESTROY NSD COMPLETELY. SAVE IT, HIGH TIME NOW.

LET THE THEATRE COMMUNITY OF ENTIRE INDIA ALSO BE PART OF THE COMMUNE WITH THE NSD COMMUNITY TO RUN AND GUIDE THE INSTITUTION IN AN OPEN DEMOCRATIC JOINT VENTURE WITH THOUGHTS OF EARLIER NSD GREATS OF THEATRE AND PROPER WISDOM AND DARSHAN OF INDIAN THEATRE MAESTROS. LET NOT ANOTHER DIRECTOR,S MAFIA RUIN THE SCHOOL COMPLETELY HENCEFORTH.AS TRUE INDIAN THEATRE ACTIVIST YOU ALL SAVE NSD RIGHT NOW.

SELFISH INEFFICIENT DIRECTORS WHO RUN INSTITUTE FOR THEIR OWN BENEFITS AND POCKETS RUINED NSD,S GOLDEN TRADITION AND PRIDE EVERYDAY FOR MANY YEARS. THEY STARTED MAFIA LOBBY CULTURE FOR THEIR OWN BENEFIT OTHER THAN SERVING NSD STUDENTS AND COMMUNITY BY HEART OR FOR ANY NOBLE CAUSE OF THEATRE FOR THE ENTIRE NATION,S BENEFIT, THEY TAKE SALARY AND CONTINUE SATUS QUO ACTUALLY TO MISUSE THEIR POWER AND WASTE PUBLIC MONEY, THEY KEEP SEATS FOR THEIR OWN BENEFITS TO GET GOVT AND OTHER PRIVATE PROJECTS TO OIL THEIR MACHINERY WITH MONEY AND RESOURCES, NOT ANYTHING NOBLE FOR THE SAKE AND CAUSE OF STUDENTS FUTURE ARTISTIC CONTRIBUTION TO INDIAN THEATRE SOCIETY. ONLY FILLING THEIR OWN POCKETS AND MISUSING POWER FOR OWN BENEFITS OF THEM AND LOBBIES.

HENCEFORTH SMASH THESE EVIL SYSTEM WITH JOINT UNITY OF THEATRE WORKERS FOR THE GROWTH AND FUTURE OF INDIAN THEATRE.

Rudradeep Chakrabarti has studies in NSD. You can connect to rudra hare.

MY OPEN MESSAGE TO ANURADHA KAPOORJI - Rudradeep Chakrabarti

The present drift and sleaze system of the world best Institute headed by Anuradha kapoorJi with central power with National infracstructure in Delhi supported by cultural ministry of India with best finance and resources right now is a poor instance and signal to regional drama institutions in the country and entire theatre fraternity of India,Immediately as a chief she should dismantle the existing unfair bad policies, all existing weak administrative vision and actions and current thoughts to proceed more forward in most powerful ways and positive manner to carry the torch of Alkazi legacy with glories, For this the institute needs great Ground breaking reformation and restructuring in present activities which needs superb intelligent realistic bold captaincy and confidence from her recently and clever fruitful streamlining of decision making, she should atfirst shed all arrogancy , egos and negligency and listen to the grievances of present students,staffs, teachers and NSDsociety members and academic council members and experienced senior theatre experts and administrators Of India with proper importance and clarity. she should analyse the present outburst and disturbances with intelligence and care.she should listen to the genuine expressions of some recent pass outs of 2008, 2009 batches who are real well wishers of her earlier and respected her with appreciations, why they are critical nowadays and are with non appreciations in public domain. Anuradhaji should remember always a Prime minister also is under scanner and is questionable and bears harsh criticisms in a democratic infrastructure, same with indian cricket captain,so same with indian national cultural institutional captaincy, so henceforth she should change her stance for betterment and real upliftment of a prestigious institute, for a national pride institute of india. Gone are the days of aristocratic dictatorship and close door secrecy and unfair system, nowadays in public domain any dictator establishment can be dismantled, most shining example is Egypt, everyone knows it, this is the truth, so henceforth change stance , be crystal clear in all moves, come out of isolated synthetic superficial knowledge glass box shedding all unfair secret operations or else soon you will realize that many days before the public earth quake had shattered the ground where you are sitting now in chair position.you are blind but soon your chair will be badly dismantle under public presure and truthful protests. so henceforth restart with fresh thought with new stance, or else you will be erased within some years with bad memories and disrespect and bad rapport from public mind in India. Ellite Aristocracy and dictatorship are fragile nowadays, come out from glass box to grassroot in front of public. Best wishes and luck ahead in all reforms and steps, get well soon. from truthful Institute wellwishers who still wants to carry forward the torch of Alkazi legacy and one of the national pride of india more forward. Read this carefully not with anger but wise thoughts and wise intelligence. work for best result.comment and answer please. we are waiting.come back to us.
SOS ,Save Captain Anuradha kapur of forward deck underwater now of once Golden indian heritage Nsd Repertory RMS Titanic company SOS , PLEASE SAVE CAPTAIN ANURADHA KAPUR IMMEDIATELY ON FORWARD DECK UNDER WATER OF RMS TITANIC GOLDEN HERITAGE OF INDIA NSD REP.CO. LAST THREE YEARS OF ANURADHA KAPUR,S VISION AND CAPTAINCY OF REP CO.IS LIKE THE BLACK MEMORY OFTHE FORWARD DECK UNDER WATER OF RMS TITANIC AND PANIC OF PEOPLE THEN, THE REP MGMT ,ARISTS AND STAFFS CONDITIONS ARE LIKE THAT LAST THREE YEARS.SO SAVE THE CHIEF CAPTAIN 

AND HER COMMITTEE AND THINK TANK FAILURE. SAVE THE ARTISTS AND STAFFS OF GOLDEN PRESTIGIOUS NSD REPERTORY CO, THE GOLDEN RELIC OF TRADITION OF ALKAZI,MANOHAR SINGH, PANKAJ KAPUR,SUREKA SIKRI,UTTARA BAOKAR,RAJESH VIVEK,GOVIND NAMDEV ETC ETC JEWELS FROM SINKING UNDER WATER COMPLETELY.SAVE THE CAPTAIN FROM MORE DISASTER TO THE SHIP.

RUDRADEEP CHAKARABARTI is a pass out of NSD. you can connect with rudra hare.